Cutting Room Conversations (LA Event)
Join us for an editors mixer co-hosted by the creatives behind projects like Only Murders in the Building, Reservation Dogs, Escaping Twin Flames, and Welcome to Wrexham!
Join us for an editors mixer co-hosted by the creatives behind projects like Only Murders in the Building, Reservation Dogs, Escaping Twin Flames, and Welcome to Wrexham!
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with director/co-writer David Wain, as he discusses his work on the 2001 satirical comedy Wet Hot American Summer. David Wain and Michael Showalter have a very distinct sense of humor – over-the-top, low-brow, and raunchy – and upon release in 2001, few understood the giddy genius of their paean to summer camp movies, Wet Hot American Summer. Starring a group of then-relative unknowns, many of whom would go on to A-list status – Bradley Cooper, Paul Rudd, Elizabeth Banks, and others – and edited by Meg Reticker, this raucous raunchfest quickly found a devoted cult following that has grown by the year. What makes Wet Hot so special is the love and sincerity with which it was made as well as its willingness to go anywhere and do anything. Like so many other great cult movies, Wet Hot American Summer was simply ahead of its time, though luckily the world seems to have caught up with it. This event will be a Zoom Webinar on Monday, August 19 at 9PM ET/6PM PT. **ACE members, please check your email for free ticket information.**
VGOW Paul Hirsch, ACE is our first Autumn Season Virtual Glass of Wine VGOW.
Paul is a multi-award-winning American Film Editor who is discussing his life work, including the original George Lucas Star Wars, A New Hope & The Empire Strikes Back, the iconic Ferris Bueller's Day Off and Mission: Impossible Ghost Protocol.
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy. Join us for a Q&A with editor Richard Francis-Bruce, ACE, as he discusses his work on the 1994 prison drama The Shawshank Redemption. Frank Darabont’s directorial debut, The Shawshank Redemption, is itself the ultimate redemption story. Dismissed upon release, The Shawshank Redemption quickly developed a devoted following on TV and home video, earned seven Oscar nominations including Best Picture, and is now hailed as one of the greatest films ever made. All of the deserved praise heaped upon this film belies the fact that, at its heart, it is a small, down-to-earth prison drama about a wrongfully-imprisoned man and his friendship with a fellow inmate. As cut by veteran editor Richard Francis-Bruce, ACE, this methodically-paced drama crescendos to a tremendously powerful climax that makes an already-affecting film ascend to true cinematic transcendence. This event will be a Zoom Webinar on Wednesday, September 4 at 9PM ET/6PM PT. **ACE members, please check your email for free ticket information.**
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Maurissa Horwitz and screenwriter Meg LeFauve, as they discuss their work on the 2024 coming-of-age Inside Out 2. The first Inside Outwas one of Pixar’s most exhilarating triumphs: a complex, profoundly moving, and wickedly funny exploration of a young girl’s emotions. And its sequel, Inside Out 2, is another insightful, surprising work that follows the original five emotions and some new ones as their girl, Riley, navigates being a teenager and the anxiety that comes with it. Paced at a breakneck speed by debuting director Kelsey Mann and editor Maurissa Horwitz and filled with rich vocal performances from its exceptional voice cast, Inside Out 2 is the rare film that has captured both the hearts and especially minds of critics and audiences and shown that the geniuses at Pixar are still operating at the top of their game.
This event will be a Live Zoom Webinar on Wednesday, September 11 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.
Encore 1: Wednesday, September 11 at 11PM ET/8PM PT
Encore 2: Thursday, September 12 at 3PM ET/12PM PT
Please RSVP by 3 hours before on the day of your selected event. **ACE members, please check your email for free ticket information.**
IBC is the world’s most inspiring content and technology event. It draws together the global media, entertainment and technology industry for a compelling live experience that enables every attendee to gain critical insights, share expertise and unlock business opportunities. Created ‘by the industry, for the industry’ – a principle established on its founding in 1967 that carries through to today – IBC has continued to evolve with each new trend and technology over its 57-year history. Attracting representatives from 24 countries in its first year, IBC now welcomes exhibitors, speakers and visitors from more than 170 nations.
American Cinema Editors Presents Award-Winning Editor Job ter Burg, ACE, NCE in Conversation with Carolyn Giardina on September 14, from 15:45 - 16:15 in Conference Room 1.
Celebrated editor Job ter Burg, ACE, NCE, joins Variety/Variety VIP+ Senior Entertainment Technology & Crafts Editor Carolyn Giardina in an engaging conversation about his work and career path. Job will discuss his latest film, The Watchers, (dir. Ishana Night Shyamalan) as well as his Nederlands Film Festival Golden Calf award-winning and award-nominated work. He will share insights into his process and his approach to work and to crafting rhythm and pacing through editing. Whether you are a seasoned post-production professional or just entering the world of editing, don’t miss this opportunity to view clips from his work and to hear Job discuss his path to the editing chair and his advice for those who would like to learn more about how the craft of editing further elevates performances, resulting in award-winning, moving, powerful films and shows.
The next "American Cinema Editors Presents" screening in New York is Robert Altman’s 1993 comedy/drama Short Cuts. Inspired by nine short stories and a poem by renowned author Raymond Carver, with a screenplay by Altman and Frank Barhydt, Short Cuts interweaves the stories of twenty-two characters as they struggle to find solace and meaning in contemporary Los Angeles. The stunning ensemble cast features Jack Lemmon, Julianne Moore, Robert Downey, Jr., Jennifer Jason Leigh, Buck Henry, Lyle Lovett, Lori Singer, Frances McDormand, Lily Tomlin, Matthew Modine, Annie Ross and Tom Waits. Following the screening there will be a Q&A with editor Suzy Elmiger, ACE, moderated by Joseph Krings, ACE.
On Sunday, September 22, film editor Yorgos Mavropsaridis, ACE is the Guest of Honor during the NCE Annual International Masterclass in co-operation with the Netherlands Film Festival. The entire masterclass will be in the English language.
Paul Hirsch, ACE is an Award Winning American Film Editor who is discussing his life's work, including the original George Lucas Star Wars, A New Hope & The Empire Strikes Back, the iconic Ferris Bueller's Day Off and Mission: Impossible
We are back from summer vacation. Join us Wednesday, September 25 for the next lacpug Meet.
Arguably one of the best TV shows in recent years, Reservation Dogs is about four Native American Teenagers growing up on a reservation in eastern Oklahoma. Editors Varun Viswanath, ACE and Patrick Tuck, (both nominated for an Emmy Award) will join us to talk about their collaberation and process on this most wonderful show. Sven Pape, (AKA This Guy Edits) will moderate.
Also very excited to have veteran Hollywood Film editor Dan Lebental ACE return to Lacpug after several years. Dan has edited over 37 films, including Iron Man 1 and 2, ELF and the recent post-pandemic films include Beverly Hills Cop - Axel Foley, Bad Boys Ride or Die, Dungeons & Dragons and Mortal Kombat. Yes, there will be time for Q&A.
In this session you will learn best practices on how film editors are using Adobe Solutions for their Long Form and Episodic Post-Productions and how to optimize turnover workflows and avoid common pitfalls from an Assistant Editor's perspective. Joining us this year is Ben Insler, Quality Engineer on the Adobe Premiere Pro Team and Assistant Editor on David Fincher films, and our special guest speaker Alex Trudeau Viriato, Producer and Editor on the docuseries “Thank You, Goodnight: The Bon Jovi Story", available on Hulu. Samantha Bacon from Adobe and Alejo Santos from Tempo will be your host and with the support of the extended Adobe Video Team, we will try and address any questions or workflow related topics you might have throughout the webinar.