Mark your calendars! The ACE annual internship is opening up on May 1 for applications for the 2024 internship. Internships will be available in LA, NY and in London. Information on eligibility, the application process, and the internship program can be found on our website.
The next "American Cinema Editors Presents" screening is an exciting one – the 2010 Western Meek's Cutoff, which was both directed and edited by Kelly Reichardt.This will be the first time "ACE Presents" has hosted a speaker who was both the director and editor of the film. Kelly edits most of the films she directs. In addition to the Q&A with the director/editor, Meek's Cutoff will be shown in 35mm. This screening, moderated by Julia Bloch, will be part of a retrospective of Kelly's films beginning the first weekend of May and leading up to this screening.
Loosely based on a historical incident on the Oregon Trail in the 1840s, Meek's Cutoffis the story of six settlers and their guide who are caught in a dangerous situation: They are lost, food and water are running out, and the surrounding desert threatens to claim them all. Meanwhile, their guide, Stephen Meek (Bruce Greenwood), refuses to acknowledge that they may be several weeks off-course. When a Native American (Rod Rondeaux) is captured, Emily Tetherow (Michelle Williams), one of the settlers, shields him from Meek's wrath, and he offers to lead the group to water in return.
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Mark Helfrich, ACE, as he discusses his work on the 1995 erotic drama Showgirls. While Picturehouse 441 is normally dedicated to exploring essential cinema, we wanted to take a night to explore one of cinema’s most beloved cult classics: Showgirls. After the smash-hit success of Basic Instinct, legendary director Paul Verhoeven and enfant terrible screenwriter Joe Eszterhas joined forces again for Showgirls. The film’s ambitions couldn’t have been higher: Saved By the Bell’s Elizabeth Berkeley wanted to use the film to break into serious roles, Verhoeven and Eszterhas aimed to satirize the cutthroat, sleazy world of Sin City strippers, and the film would be the most widely-released NC-17-rated film ever. What actually resulted is one of the most notorious films in modern cinema history - a critically-assailed, Razzie-sweeping box office flop that quickly garnered a huge cult following and record-breaking ($100 million+) video sales for MGM. However, SHOWGIRLS did demonstrate that beneath all of the fabulously over-the-top line readings, insane sex scenes, and nonsensical behavior was typically strong technical craft, exemplified by Mark Helfrich, ACE, and Mark Goldblatt, ACE’s electric editing. This one-of-a-kind event will explore the makings of this wildly entertaining phenomenon through the eyes of one of the veteran editors who was tasked with putting it together. This event will be a Zoom Webinar on Thursday, May 30 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**