Mark your calendars! The ACE annual internship is opening up on May 1 for applications for the 2024 internship. Internships will be available in LA, NY and in London. Information on eligibility, the application process, and the internship program can be found on our website.
ACE is Thrilled to Announce These Inaugural Events in Partnership with the Tribeca Film Festival! These are free and open to the public, but you must have a ticket. Editors are the ultimate puzzle-solvers of filmmaking, turning hours of footage into polished and compelling stories we see on screen. But what really happens in the edit suite between cuts? From navigating the industry to honing their craft, this brilliant panel of established editors will share practical tips, insightful advice, and firsthand accounts of the challenges, successes, and experiences that have shaped their careers. Panelists, all presenting films in this year’s program, include Christina Sun Kim (New Wave), Kristina Motwani (1-800-On-Her-Own), Nesa Azimi (DRIVER), Siyi Chen (Made In Ethiopia). Moderated by M. Watanabe Milmore, ACE (Satisfied).
ACE is Thrilled to Announce These Inaugural Events in Partnership with the Tribeca Film Festival! These are free and open to the public, but you must have a ticket. Drawing on samples of his work across the last 30 plus years, Academy Award nominated editor Christopher Tellefsen (Metropolitan, Kids, Flirting with Disaster, Capote, Moneyball, The Menu and many more), will shed light on the often overlooked practice of film editing and how the work that happens in the edit room transforms the films we ultimately see. Moderated by Jamie Kirkpatrick, ACE, with a Q&A to follow.
**ACTIVE ACE MEMBERS ONLY** Please check you email for more information on how to join Daniel P. Hanley, ACE for lunch at Marino Ristorante on Wednesday, June 12.
Join us for an editor’s mixer co-hosted by creatives behind projects like One Piece, Escaping Twin Flames, Gen V, Only Murders in the Building, and more! Co-hosted by: Eric Litman, Inbal B. Lessner, ACE, J. Kathleen Gibson, ACE, Maura Corey, ACE, Payton Koch, and Shelly Westerman, ACE.
Join the Canadian Cinema Editors on Friday, June 14, 2024 for an evening celebrating excellence in editing at the Delta Hotel in Toronto. TICKET SALES WILL END ON JUNE 7th, 2024. There are no tickets sold at the door, as all meals must be ordered in advance.
Come and join us to celebrate (what will hopefully be) warm, sunny weather with the Vancouver post production industry at our 7th Annual Summer Solstice BBQ & Social. Tickets are on sale now! $10 for VPA Members | $35 for Non-members
Your ticket includes a BBQ dinner and your first drink
Join us Wednesday, June 26 for the next LACPUG Meet. Join us as we show you the browser based platform that allows post pros to collaborate in REAL TIME on Film and Media projects. It's called Louper and you need to see it. Michael Kammes will demo.
We are excited to have editors Maria Gonzales and Aika Miyake join us to talk about their work on the critically acclaimed FX historical drama series SHOGUN. Please note, this will be the last lacpug meet until September, 2024.
Avid proudly presents the 2024 Learning Summit, designed to educate and connect students, teachers and industry professionals.
Learn the latest tips, tricks and trends from industry pro's, technologists and educators. Plus, find out the latest innovations and new features of Avid Media Composer, Pro Tools, and Sibelius.
The next "American Cinema Editors Presents" screening in New York is Spike Lee’s Oscar-nominated 1997 documentary 4 Little Girls. 4 Little Girls is the story of the murder of four African-American girls (Addie Mae Collins, Carol Denise McNair, Cynthia Wesley, and Carole Rosamond Robertson) in the 16th Street Baptist Church bombing in Birmingham, Alabama on September 15, 1963. Following the screening there be a Q&A with the film's editor, Sam Pollard, moderated by Daphne McWilliams, one of the film's producers. 4 Little Girls was nominated for an Academy Award for Best Documentary and selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant."