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Guest editors Michelle Tesoro, ACE BFE, Mark Fraser, and TW Leshner join host Christopher C.F. Chow, BFE, for a conversation on editing the Netflix series Dept. Q, now streaming on Netflix.
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SSS (Sight, Sound & Story) – Halloween Edition II: Cutting Chaos, Crime & Cult Classics (Zoom Event)
SSS (Sight, Sound & Story) – Halloween Edition II: Cutting Chaos, Crime & Cult Classics (Zoom Event)
The premier Post and Production event series Sight, Sound & Story continues! Sight, Sound & Story Halloween Edition: Cutting Chaos, Crime & Cult Classics Inside Episode XLVIII: This Halloween, Sight, Sound & Story gathers a powerhouse lineup of editors to showcase the art of cutting across genres, from crime thrillers to outrageous cult horror. Josh Ethier, ACE, will discuss shaping character and comedy in "Jimmy & Stiggs." Geofrey Hildrew, ACE, BFE, will break down his approach to tension and grit in "The Bondsman." Rounding out the panel, Brett W. Bachman, ACE, and James Thomas, ACE, will share their collaborative process on the wild reimagining of "The Toxic Avenger," exploring how editing can heighten chaos, absurdity, and shock value. Moderated by Chad Anderson, the evening will feature scenes from all three films, offering an inside look at how editors build tone, craft rhythm, and keep audiences hooked. |
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The Q&Agency (FKA Picturehouse 441) and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote media literacy. A highly sophisticated digital program, Ares, is sent into the real world, marking humanity’s first face-to-face encounter with physically-generated A.I. When programmer Eve makes a shocking discovery, they embark on a dangerous mission as mankind reckons with the threat of A.I. beings come to life. (Description by Walt Disney Studios Motion Pictures) Encore 1: Sunday, November 2 at 8PM ET/5PM PT |
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The Q&Agency (FKA Picturehouse 441) and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote media literacy. From director Paul Greengrass and inspired by real events, The Lost Bus is a white-knuckle ride through one of America’s deadliest wildfires as a wayward school bus driver (Matthew McConaughey) and a dedicated school teacher (America Ferrera) battle to save 22 children from the terrifying inferno. (Description by Apple Original Films) Encore 1: Tuesday, November 4 at 8PM ET/5PM PT |
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The Q&Agency (FKA Picturehouse 441) and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote media literacy. One of Francis Ford Coppola's warmest, sweetest films, Peggy Sue Got Marriedfollows a woman who magically revisits her senior year of high school. At turns funny, poignant, and rueful, Peggy Sue is an extraordinary showcase for the seemingly limitless talents of actor Kathleen Turner who received an Oscar nomination for Best Actress. Replete with Oscar-nominated cinematography from the great Jordan Cronenweth and edited by Barry Malkin, ACE, this wonderful film about regret and second chances stands as a major highlight in the career of Turner and one of Coppola's most under-appreciated works. Encore 1: Wednesday, November 5 at 11PM ET/8PM PT |
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ACE members, please check your email for event registration details.
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Our November "American Cinema Editors Presents at Metrograph" is Garrett Bradley's award-winning documentary from 2020, Time. The screening will be followed by a Q&A with editor Gabriel Rhodes, moderated by Alex Keipper, ACE. Time follows Sibil Fox Richardson (also known as Fox Rich), an entrepreneur, self-described abolitionist, author, and mother of six, as she fights for the release of her husband, Rob, serving a 60-year prison sentence in the Louisiana State Penitentiary for his participation in an armed bank robbery. Rich served three and a half years for her role in the robbery while Rob was granted clemency by then-Louisiana governor John Bel Edwards in 2018 after he served 21 years in prison. The film combines original footage with home videos. Gabriel Rhodes is an acclaimed editor with editing credits on films such as Matthew Heinemann's The First Wave (for which he won an Emmy Award for best editing), Brett Morgen's Moonage Daydream, 1971, Newtown, and The Tillman Story. Several of his films have been shortlisted for the best documentary Academy Award. SAVE THE DATE! |
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The Connect Committee invites 4 Active members to join ACE Life members,Colleen and Richard Halsey for lunch on Monday, November 17. Please check your email for invitation details. |
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Editor Charlotte Munch Bengtsen chats with Zeina Aboul Hosn BFE on the edit of documentary Mistress Dispeller |
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