ACE Annual Meeting (Members Only)
The Garland Hotel 4222 Vineland Ave, North Hollywood, United StatesACE Members, please check your email for more information on this event and how to register.
ACE Members, please check your email for more information on this event and how to register.
VGOW Blue Eye Samurai with guest editors Brad Lee Zimmerman, ACE BFE and Yuka Shirasuna BFE, hosted by Roberta Bononi BFE
Come and join us to celebrate (what will hopefully be) warm, sunny weather with the Vancouver post production industry at our 7th Annual Summer Solstice BBQ & Social. Tickets are on sale now! $10 for VPA Members | $35 for Non-members
Your ticket includes a BBQ dinner and your first drink
**ACE members only! For more information and how to RSVP, please check your email!**
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Lisa Fruchtman, as she discusses her work on the epic war film Apocalypse Now. Ending his hot streak in the 1970s with one of the most enigmatic, mesmerizing, and audacious films ever produced, Francis Ford Coppola made his grandest statement with 1979’s Apocalypse Now. A film with a famously troubled production that rivals the finished product for wild drama, this Vietnam War-set descent into madness is a herculean feat of filmmaking, particularly on the part of its four-person team of editors: Lisa Fruchtman; Richard Marks, ACE; Gerald Greenberg, ACE; Walter Murch, ACE. This team cut together well over one million feet of film (230 hours) to form a hallucinatory, haunting vision of the hell of war that, 45 years later, has lost none of its horrifying impact. This event will be a Zoom Webinar on Tuesday, June 25 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**
Inside Episode XXXV: Join us for our upcoming Sight Sound & Story event featuring the talented editors behind the Emmy-Award winning series, "The Bear." Spearheaded by industry veteran Chad Anderson, this panel boasts award-winning Editors Joanna Naugle, ACE, and Adam Epstein, ACE, BFE, alongside Editor/Assistant Editor Megan Mancini. Together, they'll unveil insights into their creative process, delving into how they collaborated to craft the captivating storylines of "The Bear." Don't miss this exclusive opportunity to gain a behind-the-scenes look at the world of editing, complete with clips from the show and discussions on the meticulous work that brings it all together.
**ACE members only! For more information and how to RSVP, please check your email!**
Join us Wednesday, June 26 for the next LACPUG Meet. Join us as we show you the browser based platform that allows post pros to collaborate in REAL TIME on Film and Media projects. It's called Louper and you need to see it. Michael Kammes will demo.
We are excited to have editors Maria Gonzales and Aika Miyake join us to talk about their work on the critically acclaimed FX historical drama series SHOGUN. Please note, this will be the last lacpug meet until September, 2024.
Avid proudly presents the 2024 Learning Summit, designed to educate and connect students, teachers and industry professionals.
Learn the latest tips, tricks and trends from industry pro's, technologists and educators. Plus, find out the latest innovations and new features of Avid Media Composer, Pro Tools, and Sibelius.
**ACE members only! For more information and how to RSVP, please check your email!**
The next "American Cinema Editors Presents" screening in New York is Spike Lee’s Oscar-nominated 1997 documentary 4 Little Girls. 4 Little Girls is the story of the murder of four African-American girls (Addie Mae Collins, Carol Denise McNair, Cynthia Wesley, and Carole Rosamond Robertson) in the 16th Street Baptist Church bombing in Birmingham, Alabama on September 15, 1963. Following the screening there be a Q&A with the film's editor, Sam Pollard, moderated by Daphne McWilliams, one of the film's producers. 4 Little Girls was nominated for an Academy Award for Best Documentary and selected for preservation in the United States National Film Registry by the Library of Congress for being "culturally, historically, or aesthetically significant."
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