Editor Robert Stengård in conversation about his edit of The Remarkable Life of Ibelin.
Joining LACPUG will be veteran editors Simon Smith ACE,(CHERNOBYL, THREE BODY PROBLEM) Joe Leonard ACE, (GLEE, THE MAN IN THE HIGH CASTLE) and Jordan Goldman ACE, (HOMELAND, TERRIERS).
Simon is in LA doing the 2nd season of The LAST OF US, and Joe and Jordan both edited the critically acclaimed Apple+ series, DARK MATTER.
This will be the last meet of 2024.
Editor Adam Gough, ACE BFE chats with Ben Elliot about Adam's cut of the Apple TV's hit mini series Disclaimer.
At The Digital Cinema Society’s "Focus on Post" event, we’ll cover a wide variety of Post Production topics with an emphasis on collaborative workflows and how various forms of AI are coming to the fore.
Participants Include: (in alphabetical order):
Adobe – Avid – Blackmagic Design – Frame.io – OWC – Strada
In addition to the vendors, special guests (including Sam Restivo, editor on Ridley Scott's Gladiator II, and Napoleon), will be on hand to share their knowledge and experience.
Plus, there will be light refreshments and a raffle!
Note: All are welcome, and you don't have to be a DCS member to attend, however, RSVPs are mandatory. Make sure to register with both your first and last name.
The monthly online event series Sight, Sound & Story continues!
Sight, Sound & Story: Inside the Post-Production Journey of the Film "Blitz"
Moderator: Josh Apter (Founder of Manhattan Edit Workshop, Co-Owner Padcaster)
Supervising Sound Editor & Re-Recording Mixer Paul Cotterall (“The Northman,” “Nocturnal Animals”), Supervising Sound Editor & Re-Recording Mixer James Harrison (“No Time to Die,” “1917“), and Editor Peter Sciberras, ACE (“The King," "Power of the Dog")
Inside Episode XXXVIII: Join us for an in-depth exploration of the post-production process for the feature film "Blitz," directed by Steve McQueen. Set in London during World War II's relentless German bombing campaign, The Blitz, the story centers on George, a young boy navigating a perilous journey home to his mother. Editor Peter Sciberras, ACE, along with Supervising Sound Editor and Re-Recording Mixers Paul Cotterall and James Harrison, will share insights on their unique approach to editing and sound design, highlighting how they crafted an atmosphere filled with suspense and captured the intense experience of a city under siege. The session will be moderated by Josh Apter, owner of Manhattan Edit Workshop.
When: Tuesday, November 26, 2024
Time: 8:00PM ET / 5:00PM PT
General Admission: FREE!
Imogen Pollard BFE chats with Black Box Diaries Editors Ema Ryan Yamazaki & Maya Daisy Hawke about their work on this edit.
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with writer/director Chris Sanders & editor Mary Blee, as they discuss their 2024 animated science fiction adventure The Wild Robot. Veteran animator Chris Sanders returned to the medium in which he made his name for the first time in a decade with The Wild Robot. A visionary achievement about chosen family, motherhood, and the essential bonds shared by all living creatures, Sanders has once again created a work full of child-like wonder, profound empathy, and a typically resplendent visual style. Beautifully paced by editor Mary Blee and featuring an all-timer of a voice performance from Lupita Nyong’o, The Wild Robot is a new film that already feels like a classic.
This event will be a Live Zoom Webinar on Monday, December 2 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.
Encore 1: Monday, December 2 at 11PM ET/8PM PT
Encore 2: Tuesday, December 3 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**
Editor Justine Wright BFE discusses the edit of "We Live In Time" with Ben Elliot, Associate Governor.
Editor Mary Blee in conversation with Stephen Mulholland BFE on the edit of The Wild Robot.
Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with director/co-writer George Miller, as he discusses his 1981 post-apocalyptic action film Mad Max 2: The Road Warrior. Long before Fury Road and Furiosa, George Miller redefined action cinema with his Mad Max 2: The Road Warrior. Continuing the saga of Max Rockatansky through the wasteland of Earth, this film gave audiences a taste of the cinematic mastery that Miller would continue to display over the ensuing four decades. Bigger, crazier, and more exhilarating than its tiny-budgeted predecessor. Edited by David Stiven, Tim Welburn and Michael Balson, this film is everything a sequel should be and is rightfully considered one of the greatest films of the 1980s.
This event will be a Live Zoom Webinar on Thursday, December 5 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.
Encore 1: Thursday, December 5 at 11PM ET/8PM PT
Encore 2: Friday, December 6 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**
For one night only in December, Metrograph will be a screening the director’s cut of legendary writer-director Elaine May’s 1976 triumph Mikey & Nicky, starring John Cassavetes, Peter Falk and Ned Beatty, followed by a rare in person appearance by Elaine May for a discussion with her frequent editorial and production consultant Phillip Schopper, ACE, and assistant editor on the film Jeffrey Wolf, ACE.
The editing of Mikey & Nicky is a story worthy of its own film. The years of editing, the constant struggles with the studio, the alleged stolen reels of film, the extraordinary amount of footage shot and finally buying the film back to make the definitive cut of a film that has come to be known as a classic.
This evening is sure to sell out fast so watch for tickets on sale announcement.
**ACE Members Only**
