First Reformed Q&A with Writer/Director Paul Schrader & Editor Benjamin Rodriguez, Jr.

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with writer/director Paul Schrader & editor Benjamin Rodriguez, Jr., as they discuss 2017 psychological drama First Reformed. Paul Schrader’s late-career opus, First Reformed, found the veteran filmmaker reinvigorated and finally earned him his first Oscar nomination (for his screenplay). A gonzo take on Bergman’s Winter Light, this thought-provoking, complicated, and frequently outrageous film asks huge questions, allows them to marinate, and then dips out, leaving the audience to answer the questions it poses for themselves. Ethan Hawke, Amanda Seyfried, and Cedric the Entertainer give three difficult, intense performances, and Schrader takes huge risks that all add up to hugely satisfying sensation. First Reformed was expertly edited by Benjamin Rodriguez, Jr. This event will be a Zoom Webinar on Thursday, April 25 at 8PM ET/5PM PT.

**ACE Members, please check your email for a complimentary ticket to this virtual Q&A.**

Irish Screen Editors (ISE): Social Event

Foley's Bar 1 Merrion Row, Dublin, Dublin, Ireland

Calling all European film editors! Join the ISE for another social event on Thursday, April 25, 6:30pm at the loft on the top floor of Foley's Pub! Members and non-members welcome!

Alice Doesn’t Live Here Anymore Q&A with Actor Ellen Burstyn

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a 50th Anniversary Q&A with actor Ellen Burstyn as she discusses her work on the 1974 romantic comedy/drama Alice Doesn't Live Here Anymore. The incomparable Ellen Burstyn deservingly won the Best Actress Oscar for her tough, empathetic portrayal of single mother and waitress, Alice, who gets caught between her own dreams of independence and a man who begins to steal her heart. Alice Doesn't Live Here Anymore is Burstyn’s show. Passionately leading a cast that includes an Oscar-nominated Diane Ladd, Kris Kristofferson, and a young Jodie Foster, Burstyn gives a voice to the everyday working woman of America in this ahead-of-its-time feminist tale that inspired the hit TV series, Alice. Low-key, witty, and moving and edited by Marcia Lucas, the film was Martin Scorsese’s follow-up to Mean Streets which also showed the filmmaker’s versatility early in his career. We’re incredibly excited to welcome Ellen back to Picturehouse 441 after our deep-dive into The Exorcist with her last year. This event will be a Zoom Webinar on Wednesday, May 1 at 8PM ET/5PM PT.

**ACE Members, please check your email for a complimentary ticket to this virtual Q&A.**

Brazil Q&A with Actor Sir Jonathan Pryce

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with actor Sir Jonathan Pryce, as he discusses his work on the 1985 science-fiction black comedy Brazil. In a career full of wildly imaginative films, Brazil stands tall as Terry Gilliam’s most complete and satisfying vision. Inspired by George Orwell’s 1984 (Brazil was originally titled 1984 1/2 but was changed after Michael Radford’s direct cinematic adaptation of the novel beat Brazil to theaters by a year), this pitch-black dystopian comedy about a bureaucrat (Sir Jonathan Pryce) who dreams of escaping his monotonous life has had a profound influence on decades of subsequent films. Brazil pops with the thrill of invention and is grounded with a profound sense of humanity by Sir Jonathan Pryce in his breakout performance. An oddly timely and prophetic vision of the now-past future (or was it always past?) that's brilliantly cut by Julian Doyle, Brazil has revealed itself to be a warning of forthcoming history that’s both deeply disturbing and insanely entertaining. This event will be a Zoom Webinar on Tuesday, May 21 at 4PM ET/1PM PT. **ACE members, please check your email for free ticket information.**

Adobe + PostPerspective: FREE Adobe Premiere Training

Zoom/Online see event description for link details, CA, United States

Training Schedule:

8 am PST — Audio Editing & Mixing in Premiere Pro
9 am PST — Comparing Avid to PR (Key Differences)
10 am PST — Interview: Randi Altman (Host) and Alex Trudeau Viriato
11 am PST — Sponsor Demo: LucidLink
Noon PST — Text-Based Editing in Premiere
1 pm PST — Motion Title Design in Premiere
2 pm PST — Interview: Randi Altman (Host) and Paul Saccone

Show Girls Q&A with Editor Mark Helfrich, ACE

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Mark Helfrich, ACE, as he discusses his work on the 1995 erotic drama Showgirls. While Picturehouse 441 is normally dedicated to exploring essential cinema, we wanted to take a night to explore one of cinema’s most beloved cult classics: Showgirls. After the smash-hit success of Basic Instinct, legendary director Paul Verhoeven and enfant terrible screenwriter Joe Eszterhas joined forces again for Showgirls. The film’s ambitions couldn’t have been higher: Saved By the Bell’s Elizabeth Berkeley wanted to use the film to break into serious roles, Verhoeven and Eszterhas aimed to satirize the cutthroat, sleazy world of Sin City strippers, and the film would be the most widely-released NC-17-rated film ever. What actually resulted is one of the most notorious films in modern cinema history - a critically-assailed, Razzie-sweeping box office flop that quickly garnered a huge cult following and record-breaking ($100 million+) video sales for MGM. However, SHOWGIRLS did demonstrate that beneath all of the fabulously over-the-top line readings, insane sex scenes, and nonsensical behavior was typically strong technical craft, exemplified by Mark Helfrich, ACE, and Mark Goldblatt, ACE’s electric editing. This one-of-a-kind event will explore the makings of this wildly entertaining phenomenon through the eyes of one of the veteran editors who was tasked with putting it together. This event will be a Zoom Webinar on Thursday, May 30 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**