ACE Luau (LA Event)
Active and Live members, please check your emails for your invitation to the ACE Luau and Board Installation!
Active and Live members, please check your emails for your invitation to the ACE Luau and Board Installation!
American Cinema Editors Presents ... A Screening of The Aviator's Wife on 35mm Followed by a Q&A with Editor Mary Stephen
Sunday, October 5, 5:15pm
Metrograph, New York City
We’re welcoming acclaimed editor Mary Stephen after a 35mm screening of Éric Rohmer’s 1981 comedy The Aviator’s Wife. Mary was assistant editor on the film, working with editor Cécile Decugis, the start of a long collaboration with Rohmer as his editor. Su Friedrich will be moderating. She is an avant-garde filmmaker and writer, a pivotal figure in the establishment of Queer Cinema and the creator of the website Edited By, spotlighting the work of 206 female editors who helped revolutionize film editing. (website: https://womenfilmeditors.princeton.edu/)
Like many of Rohmer's films, The Aviator's Wife deals with the ever-evolving love lives of a group of young Parisians. The film is the first installment in Rohmer's "Comedies & Proverbs" series — a collection of six films the director made during the 1980s. Each of these films begins with a proverb, in the case of The Aviator's Wife this is: "On ne saurait penser à rien" or "It is impossible to think about nothing."
Creative teams are under more pressure than ever- faster turnaround times, tighter budgets, and the demand for more content across more platforms. At the same time, the hype around AI leaves many editors and managers wondering: Which tools are truly useful, and how do we actually integrate them into our workflows without sacrificing creativity or control?
That’s where the Key Code Media Editors Lounge comes in. This open-house style event will cut through the noise and give you a clear look at how AI-powered features inside today’s leading editing platforms- along with cutting-edge solutions from new vendors- can solve real challenges in post-production.
Expect practical demonstrations, insider insights, and candid conversations about what works, what doesn’t, and what’s coming next.
This weekend at SON OF MONSTERPALOOZA, you’re invited to a killer panel that cuts deep into the art of horror filmmaking: "Slice and Splice: Five Picture Editors Talk About the Anatomy of a Scare” While horror directors often get the spotlight, editors are the ones who shape dread, tension, and those glorious jump scares.
Panel includes:
Erik C. Andersen, ACE (moderator) Editor on Robert Englund's - Killer Pad, Z-Nation, Teen Wolf
Glenn Garland, ACE Editor on Rob Zombie's The Devils' Rejects, Lords of Salem, Halloween 1 & 2
Jeff McEvoy Editor on M3GAN 1 and 2, Night Swim, Underworld: Awakening 3D
Kent Beyda, ACE Editor on Fright Night, Gremlins 2: The New Batch, The Howling
John Axelrad, ACE Editor on Krampus, Slither, Fear Street
Join ACE at the 2025 SMPTE Media Technology Summit
Free Solutions Hub Pass to see the ACE Panel (and more)
Use Promo Code SH25ACE, and Get 10% off Conference Passes. Use Promo Code: ACE10
American Cinema Editors (ACE) has a special event planned for Halloween season! We're pleased to welcome editors Rick Shaine, ACE, and Patrick McMahon, ACE, following a screening of Wes Craven’s horror classic A Nightmare on Elm Street! Nick Taylor, host of the horror film podcast The Nick Taylor Horror Show, will be moderating.
The first installment in a long-running franchise, the film stars Robert Englund as the iconic Freddy Krueger along with John Saxon, Ronee Blakley and Johnny Depp in his film debut. Krueger, a monstrous figure returned from the dead, murders teenagers through their dreams, as retribution against their parents who burned him alive. The film received great critical acclaim upon its release, and has since been considered to be one of the greatest horror films ever made, In 2021, A Nightmare on Elm Street was selected for preservation in the United States National Film Registry by the the Library of Congress for being "culturally, historically, or aesthetically significant.”
You're invited to ACE's First Short Film Showcase!
Please join us for a special screening of award-winning short films
written, directed, and/or edited by fellow ACE members!
Short films are a labor of love and ACE Film Editors have been winning the hearts of audiences at film festivals around the world. Come watch some of the most talked about films from the last few years, together on the big screen.
October 25, 2025
Doors Open at 1:30pm | Screening Starts Promptly at 2pm
Editor Q&A and Pizza Reception to follow the screening
American Film Institute
AFI Mark Goodson Screening Room
2021 North Western Avenue, Los Angeles, CA 90027
Our November "American Cinema Editors Presents at Metrograph" is Garrett Bradley's award-winning documentary from 2020, Time. The screening will be followed by a Q&A with editor Gabriel Rhodes, moderated by Alex Keipper, ACE.
Time follows Sibil Fox Richardson (also known as Fox Rich), an entrepreneur, self-described abolitionist, author, and mother of six, as she fights for the release of her husband, Rob, serving a 60-year prison sentence in the Louisiana State Penitentiary for his participation in an armed bank robbery. Rich served three and a half years for her role in the robbery while Rob was granted clemency by then-Louisiana governor John Bel Edwards in 2018 after he served 21 years in prison. The film combines original footage with home videos.
Gabriel Rhodes is an acclaimed editor with editing credits on films such as Matthew Heinemann's The First Wave (for which he won an Emmy Award for best editing), Brett Morgen's Moonage Daydream, 1971, Newtown, and The Tillman Story. Several of his films have been shortlisted for the best documentary Academy Award.
SAVE THE DATE!
The Connect Committee invites 4 Active members to join ACE Life members,Colleen and Richard Halsey for lunch on Monday, November 17. Please check your email for invitation details.
The New York ACE Holiday Party will be on Wednesday, December 3! ACE members, please check your email for ticketing and event information.
The ACE LA Holiday Party will take place on Saturday, December 6. ACE members, please check your emails for ticket information and details.
American Cinema Editors Presents ... Screenings of Two Films Edited by Christopher Tellefsen, ACE, Each Followed by a Q&A
Next Month, Metrograph will honor Oscar-nominated editor Christopher Tellefsen, ACE, as part of their ongoing FilmCraft series. The series will include two ACE Presents screenings followed by Q&As with Christopher.
December 12 | 6:50 pm | Metrograph, NYC
Whit Stillman’s Metropolitan (1990)
Q&A moderated by film historian Bobbie O’Steen
December 14 | 4:30 pm | Metrograph, NYC
Mark Mylod’s The Menu (2022)
Q&A moderated by educator Molly O’Steen
Christopher Tellefsen, ACE, moved from assistant editing on films such as Martin Scorsese’s The Color of Money to editing defining films of the '90s like Metropolitan, Kids, Smoke, Flirting with Disaster, Gummo and Man on the Moon. This century has brought Capote, Moneyball (for which he was nominated for Best Editing at the Academy Awards), A Quiet Place, Nyad and The Menu.
Metropolitan is a 1990 romantic comedy-drama produced, written and directed by Whit Stillman in his feature directorial debut. The film follows the lives of a group of wealthy young socialites during debutante season in Manhattan. In addition to some of their debutante parties, it covers their after-hours gatherings at a friend's Upper East Side apartment, where they discuss life, philosophy and their fate; form attachments, romances and intrigues; and react to an interesting but less well-to-do newcomer. The film was nominated for best original screenplay at the Academy Awards and won Best First Feature at the 1990 Independent Spirit Awards.
The Menu is a 2022 black comedy horror film directed by Mark Mylod. It stars Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau and John Leguizamo. The film follows a foodie and his date who travel to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish but surprising menu. The film received a nomination for Best Editing, Comedy or Musical at the ACE Eddie Awards as well as Golden Globe nominations for Fiennes and Taylor-Joy.