Zoom/Online

Tune in on Thursday, January 18, to watch a Q&A with editor Nick. Houy, ACE, as he discusses the editing of the 2023 hit Barbie. After the one-two punch of Lady Bird and Little Women, filmmaker Greta Gerwig took on her biggest project yet: Barbie. A triumph of imagination, Barbie cleverly uses the eponymous character and Ken to explore the roles of women in society and the challenges they face. Cut by longtime Gerwig editor Nick Houy, ACE, the film moves at a breakneck pace, perfectly in sync with Gerwig’s unique rhythms. Both the highest grossing and one of the most critically acclaimed films of 2023, Barbie is destined to influence the next many years of cinema, but it will be hard to replicate the infectious energy of the inimitable original. This event will be a Zoom Webinar on Thursday, January 18 at 8PM ET/5PM PT.

On Tuesday, January 16 join us for a Q&A with screenwriter Brian Helgeland, as he discusses his work on the 1997 crime film L.A. Confidential. A modern-day noir that pays loving homage to ‘40s detective films while giving it a distinctly modern sensibility, L.A. Confidential takes James Ellroy’s bestseller and adapts its labyrinthine plot into something more digestible yet no less complex and compelling. For their adaptation, Brian Helgeland and his co-writer Curtis Hanson (who also directed), won the Oscar for Best Adapted Screenplay and for her performance, Kim Basinger won Best Supporting Actress. Editor Peter Honess, ACE, was nominated for Best Film Editing. Hard-hitting and ruthlessly intelligent, L.A. Confidential is neo-noir at its finest and the kind of mid-budget, adult-oriented film rarely seen anymore. This event will be a Zoom webinar on Tuesday, January 16 at 8PM ET/5PM PT.

Virtual Glass of Wine, Editor Michael Harte, ACE BFE hosted by Tatjana Rhodes. This conversation is about the work of Michael Harte, ACE BFE.

On Monday, January 8 join us for a Q&A with director Justin K. Thompson, as he discusses 2023 American animated superhero film Spider-Man: Across the Spider-Verse. Spider-Man: Across the Spider-Verse is another audacious, immersive feat of filmmaking that matches the already-astonishing original and ups the ante with its ambition and visual innovation. Grounding its high-flying story with humanity and some genuine pain, this film goes weirder, darker, trippier than its predecessor, deepening the story it set up in surprising ways. Edited by Mike Andrews, ACE, it’s obvious that this Spider-Verse came from a place of love and passion which helped make it one of 2023's essentials. This event will be a Zoom webinar on Monday, January 8 at 8PM ET/5PM PT. Please RSVP by Monday, January 8, 3PM ET/12PM PT.

For questions, please contact Picturehouse 441 Programmer, Joshua Handler (joshua@picturehouse441.com).

Editor Hilda Rasula in conversation about American Fiction edit with Ben Elliot.

Film Synopsis : In a tour-de-force directorial debut from Cord Jefferson, AMERICAN FICTION is a smart, heartwarming comedy that stars Jeffrey Wright as Thelonious "Monk" Ellison. Monk is a frustrated novelist fed up with the literary establishment’s continual ignorance and blind promotion of what they consider “Black” entertainment. In a moment of exasperation, he writes an outlandish “Black” book of his own under a pen name, a book that propels him to the heart of hypocrisy and the madness he claims to disdain. Amidst this secret success, Monk reunites with his spirited family who challenge his notions of prosperity and happiness. The film’s first-rate ensemble also includes Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Myra Lucretia Taylor, Keith David, Issa Rae and Sterling K. Brown.

Join BFE on Wednesday, January 3 for their online interview with Mark Everson about his career and his work editing Wonka. Free public event. Book your free place now!

Editor Michael Andrews, ACE is in conversation about his edit on Spider-Man: Across the Spider-Verse.

THE OLD OAK is edited by Jonathan Morris in his final collaboration with Ken Loach (Ken Loach has announced it's last film). Their longtime partnership has produced films such as 'Sorry We Missed You', 'I, Daniel Blake' and 'The Wind that Shakes the Barley'.

Join us for a Q&A with screenwriter Terence Winter, as he discusses his work on the 2013 biographical black comedy crime film The Wolf of Wall Street. An outrageous, uproarious epic about immoral stockbroker Jordan Belfort, The Wolf of Wall Streetfinds Martin Scorsese in top form working from a razor-sharp, blackly funny screenplay from Terence Winter. As Belfort, Leonardo DiCaprio runs through the full range of his ample talents, and he's given brilliant support by Jonah Hill and a breakout Margot Robbie whose career exploded after audiences experienced her dynamite work here. While the film runs a full three hours, Wolf darts forward like a bullet train, moving from one indelible set-piece to another, all while building into a powerful whole, thanks to the masterful editing by Thelma Schoonmaker, ACE. A monstrous, frequently misunderstood masterpiece, this damning indictment of American greed is one of the great films of the modern day that has unfortunately increased in potency in the decade since its release. The event will be a Zoom Webinar on Tuesday, November 28 at 8PM ET/5PM PT.