Zoom/Online

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with writer/director Stephen Sommers and editor Bob Ducsay, ACE, as they discuss their work on the action-adventure film The Mummy. This 1999 reboot of Universal’s classic monster franchise is both a loving homage to the past and a thrilling leap forward in its use of cutting-edge visual effects. Writer/director Stephen Sommers has an obvious love for classic monster movies and serials as well as Raiders of the Lost Ark (itself an homage to classic serials) which shines through in every frame of this rip-roaring action film about an adventurer and a librarian who go up against an awakened ancient mummy in 1920s Egypt. Everything in The Mummyworks from the groundbreaking visual effects to the game performances of Brendan Fraser and Rachel Weisz to frequent Sommers collaborator Bob Ducsay’s ace editing. Most importantly, though, The Mummy never forgets what it is at heart: a pure adrenaline-driven piece of entertainment with equal amounts of laughs and thrills. The Mummy’s long afterlife has been well-earned. This event will be a Zoom Webinar on Monday, July 8 at 7PM ET/4PM PT. **ACE members, please check your email for free ticket information.**

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Lisa Fruchtman, as she discusses her work on the epic war film Apocalypse Now. Ending his hot streak in the 1970s with one of the most enigmatic, mesmerizing, and audacious films ever produced, Francis Ford Coppola made his grandest statement with 1979’s Apocalypse Now. A film with a famously troubled production that rivals the finished product for wild drama, this Vietnam War-set descent into madness is a herculean feat of filmmaking, particularly on the part of its four-person team of editors: Lisa Fruchtman; Richard Marks, ACE; Gerald Greenberg, ACE; Walter Murch, ACE. This team cut together well over one million feet of film (230 hours) to form a hallucinatory, haunting vision of the hell of war that, 45 years later, has lost none of its horrifying impact. This event will be a Zoom Webinar on Tuesday, June 25 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**

VGOW Blue Eye Samurai with guest editors Brad Lee Zimmerman, ACE BFE and Yuka Shirasuna BFE, hosted by Roberta Bononi BFE

Tune in on Wednesday, June 5, to watch a Q&A with supervising sound editor Dody Dorn, ACE; sound designer Blake Leyh; cinematographer Mikael Salomon, ASC as they discuss their work on the special edition of the 1989 science fiction film The Abyss. After two smash hits in a row with The Terminator and Aliens, James Cameron took on The Abyss, a characteristically ambitious underwater thriller that became the first commercial disappointment of his career. A few years after the film's theatrical release, Cameron went back to the deep to both further develop characters and properly realize the film's VFX-filled conclusion. The resulting special edition is a visual and aural groundbreaker with its Oscar-winning special effects, Oscar-nominated cinematography, and Oscar-nominated sound that admirably remains grounded due to its marital drama played out powerfully by Ed Harris and Mary Elizabeth Mastrantonio. Expertly edited by Conrad Buff, ACE, Joel Goodman and Howard E. Smith, ACE, 35 years after its release, this once-maligned film stands tall in the master filmmaker's filmography. This event will be a Zoom Webinar on Wednesday, June 5 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**

Join the British Film Editors for another VGOW, this time exploring the Apple TV series, Manhunt, with guest editors Damien Smith, Karollina Tuovinen and David Berman on the Wednesday, June 5 at 11:30am PT!

Join us on Monday, June 3 for a Q&A with editor Jake Roberts, ACE, as he discusses his work on the 2024 dystopian thriller Civil War. Advertised as an action-packed political thriller, Alex Garland’s latest directorial effort, Civil War, is a far more humane though suitably intense work that stands as a testament to war journalists’ bravery in the face of a new American civil war. As cut by Garland’s longtime editor, Oscar-nominee Jake Roberts, ACE, Civil War is a patiently-paced film spotted with scenes of prolonged tension that are effectively interspersed with still images of the conflict being covered by the film’s characters. Elevated by outstanding work from Kirsten Dunst, Cailee Spaeny, Wagner Moura, and Stephen McKinley Henderson, Civil War marks another distinctive and vital work from Alex Garland who, through Ex Machina, Annihilation, and Men, has established himself as one of the world’s most exciting writer-director double-threats after a remarkable career as a screenwriter. This event will be a Zoom Webinar on Monday, June 3 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Mark Helfrich, ACE, as he discusses his work on the 1995 erotic drama Showgirls. While Picturehouse 441 is normally dedicated to exploring essential cinema, we wanted to take a night to explore one of cinema’s most beloved cult classics: Showgirls. After the smash-hit success of Basic Instinct, legendary director Paul Verhoeven and enfant terrible screenwriter Joe Eszterhas joined forces again for Showgirls. The film’s ambitions couldn’t have been higher: Saved By the Bell’s Elizabeth Berkeley wanted to use the film to break into serious roles, Verhoeven and Eszterhas aimed to satirize the cutthroat, sleazy world of Sin City strippers, and the film would be the most widely-released NC-17-rated film ever. What actually resulted is one of the most notorious films in modern cinema history - a critically-assailed, Razzie-sweeping box office flop that quickly garnered a huge cult following and record-breaking ($100 million+) video sales for MGM. However, SHOWGIRLS did demonstrate that beneath all of the fabulously over-the-top line readings, insane sex scenes, and nonsensical behavior was typically strong technical craft, exemplified by Mark Helfrich, ACE, and Mark Goldblatt, ACE’s electric editing. This one-of-a-kind event will explore the makings of this wildly entertaining phenomenon through the eyes of one of the veteran editors who was tasked with putting it together. This event will be a Zoom Webinar on Thursday, May 30 at 8PM ET/5PM PT. **ACE members, please check your email for free ticket information.**