Book Review – Art of the Cut
05.06.2017
, Film, Tech, Television
IN THIS ISSUE – 2nd Qtr, 2017
LETTER FROM THE EDITOR
BACK ISSUES
FEATURES
Animation Showcase
Baby Driver
Dunkirk
In Read More
Television
TV Academy Panel
14.11.2016
, About ACE, Television
Each season of NBC’s The Voice starts with approximately 10,000-15,000 hours of raw footage to edit. This is handled by Read More
The Dublin Editors
04.08.2016
, Film, Television
Qtr 3, 2016
Since its inception, the ACE International Relations Committee has established ties with various foreign editors organzations in Read More
Mr. Robot
04.08.2016
, Features, Television
Qtr 3, 2016
The irony of the 2008 economic meltdown is that socialism came to the rescue of capitalism. When Read More
The Voice
04.08.2016
, Features, Television
Qtr 3, 2016
NBC’s Emmy® Award-winning hit reality TV series The Voice gives aspiring singers the chance to compete for Read More
The Man in the High Castle
04.08.2016
, Features, Television
Qtr 3, 2016
It is the anniversary of the end of World War II and a day of celebration. On Read More
Inside Amy Schumer
04.08.2016
, Features, Television
Empire
29.08.2015
, Features, Television
By Gregor Collins “There’s a sequence I cut in the pilot where Jamal (Jussie Smollett) has a fight with his dad, Lucious (Terrence Howard), about his sexuality,” says Joe Leonard, who along with Raul Davalos, ACE, and Zack Arnold, edits the new hit Fox series, Empire. “Jamal starts singing a song about being good enough in his father’s eyes, and mid-song we flash back to him as a little boy interrupting his parents’ party wearing his mom’s heels and clothes, and Lucious takes him outside and throws him in a trash can.” Read More
VEEP
29.08.2015
, Features, Television
Political satire has an abundant play-ground in sketch comedy and fake news programs. The Daily Show with Jon Stewart, Saturday Night Live and The Colbert Report found great success mock-ing politicians, news anchors and pundits. Yet, political satire hasn’t made many strides in situation comedies. Overseas, the British have a long and proud history of skewering their royals, lords and members of parliament in film, television and everything in between. Read More
Better Call Saul
29.08.2015
, Features, Television
By Norman Hollyn
Kelley Dixon, ACE, has been working on series with Vince Gilligan since she moved up from assistant editor for Lynne Willingham, ACE, to an editor on Breaking Bad’s first season. As one of the two editors for Better Call Saul (with fellow Bad alumni Skip MacDonald, ACE) she has been responsible for fleshing out the background of down-and-out lawyer Jimmy McGill (Bob Odenkirk), who we know later in his life as drug lord lawyer Saul Goodman in Bad. We follow him, as he tends to his agoraphobic, successful lawyer brother, Chuck (Michael McKean), while building his own small practice. Here, we’ll look at one scene from the series’ season one finale.