Movies

Zumbrunnen Fellow – Matt Allen

[vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1596757470816{background-color: #000000 !important;}"][vc_column][vc_single_image image="16976" img_size="full" qode_css_animation="" css=".vc_custom_1596827890536{padding-bottom: 15px !important;}"][/vc_column][/vc_row][vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation=""][vc_column width="2/3"][vc_single_image image="26060" img_size="full" qode_css_animation=""][vc_column_text]Matt Allen has been named this year’s Eric Zumbrunnen Fellow. The 27-year-old native of San Diego currently serves as the second assistant editor on the Netflix feature film Sweet Girl, starring Jason Momoa, working alongside editor Matt Chessé, ACE. He previously assisted Chessé on Disney’s Christopher Robin, and served as an assistant editor with Jim May, ACE, on the recently released Bloodshot.[/vc_column_text][/vc_column][vc_column width="1/3"][vc_column_text css=".vc_custom_1596828114402{margin-bottom: 20px !important;padding-top: 20px !important;padding-bottom: 15px !important;}"]A MESSAGE FROM THE BOARD FEATURES Central Park Never Have I Ever The Great The Mandalorian The Old Guard Upload Watchmen EDITOR'S CUT How We Work Meet Eric Zumbrunnen Fellow Matt Allen STOCK FOOTAGE Aspects of Editing Tech Corner Cuts We Love BACK ISSUES [/vc_column_text][/vc_column][/vc_row][vc_row row_type="row"...

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Cuts 3q20

[vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1596757470816{background-color: #000000 !important;}"][vc_column][vc_single_image image="25971" img_size="full" qode_css_animation="" css=".vc_custom_1596757301408{padding-bottom: 15px !important;}"][/vc_column][/vc_row][vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1596755999985{background-color: #000000 !important;}"][vc_column width="2/3"][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation="" css=".vc_custom_1593212117177{background-color: #1f2120 !important;}"][vc_column_inner][vc_column_text css=".vc_custom_1596758196343{padding-top: 10px !important;padding-bottom: 10px !important;}"]This adaptation of a Philip K. Dick short story slickly combines biting satire with a cartoonishly-entertaining Arnold Schwarzenegger action thriller. Total Recall also is editor Frank J. Urioste’s second of three collaborations with Dutch director Paul Verhoeven, sandwiched between RoboCop (1987) and Basic Instinct (1992).[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_single_image image="25973" img_size="full" qode_css_animation=""][vc_column_text css=".vc_custom_1596758216733{padding-top: 10px !important;padding-bottom: 10px !important;}"]Urioste recalls having dinner with Verhoeven near the Fox lot sometime after RoboCop released when Schwarzenegger and Maria Shriver (then the star’s girlfriend) came into the restaurant. “Arnold and I knew each other...

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Cuts 2q20

[vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1593212215131{background-color: #1f2120 !important;}"][vc_column][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation="" css=".vc_custom_1593212117177{background-color: #1f2120 !important;}"][vc_column_inner][vc_single_image image="20384" img_size="full" qode_css_animation=""][/vc_column_inner][/vc_row_inner][vc_single_image image="25700" img_size="full" qode_css_animation="" css=".vc_custom_1593212098047{padding-bottom: 15px !important;}"][/vc_column][/vc_row][vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1521515574405{padding-top: 10px !important;background-color: #ffffff !important;}"][vc_column][vc_column_text]In this sequel to his 1984 sci-fi smash The Terminator, director James Cameron (with co-writer William Wisher) reprised the main characters but gave the story an audacious twist. T2 established the iconography of Arnold Schwarzenegger, recast as the good guy, and it had to work from the very first scene.[/vc_column_text][/vc_column][/vc_row][vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation=""][vc_column width="2/3"][vc_column_text css=".vc_custom_1593212248239{padding-top: 10px !important;padding-bottom: 10px !important;}"]“There was concern on Jim’s part whether we could pull this off,” says Mark Goldblatt, ACE, who had edited the first film. “It’s not what audiences...

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Cuts We Love 1Q20

[vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1585538843007{background-color: #000000 !important;}"][vc_column][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation="" css=".vc_custom_1546978755013{background-color: #000000 !important;}"][vc_column_inner width="1/2"][vc_single_image image="20384" img_size="full" qode_css_animation=""][/vc_column_inner][vc_column_inner width="1/2"][vc_column_text css=".vc_custom_1585348556810{padding-top: 5px !important;padding-left: 15px !important;}"]` 1st Qtr, 2020 [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_single_image image="25075" img_size="full" qode_css_animation="" css=".vc_custom_1589222679581{margin-bottom: 15px !important;}"][/vc_column][/vc_row][vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1585538851863{padding-top: 10px !important;background-color: #000000 !important;}"][vc_column width="2/3"][vc_column_text]Set during the Sierra Leone Civil War of the 1990s, this political thriller concerns the illicit trade in diamonds mined by warlords and diamond companies. It’s a typically socially-charged film from Edward Zwick (Glory) with regular editor Steven Rosenblum, ACE, building the tension.[/vc_column_text][vc_single_image image="25076" img_size="full" qode_css_animation=""][vc_column_text]An early scene shows fisherman Solomon (Djimon Hounsou) in a forced labor camp somewhere in the jungle overseen by ruthless warlord Captain Poison (David Harewood). “I didn’t have to work hard...

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The Irishman

[vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1559606970950{background-color: #ffffff !important;}"][vc_column][vc_row_inner row_type="row" type="full_width" text_align="left" css_animation="" css=".vc_custom_1546978755013{background-color: #000000 !important;}"][vc_column_inner width="1/2"][vc_single_image image="20384" img_size="full" qode_css_animation=""][/vc_column_inner][vc_column_inner width="1/2"][vc_column_text css=".vc_custom_1575228990768{padding-top: 5px !important;padding-left: 15px !important;}"]` 4th Qtr, 2019 [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_single_image image="23001" img_size="full" qode_css_animation=""][/vc_column][/vc_row][vc_row row_type="row" type="full_width" in_content_menu="" text_align="left" css_animation="" css=".vc_custom_1521515574405{padding-top: 10px !important;background-color: #ffffff !important;}"][vc_column width="2/3"][vc_column_text]The Irishman is the story of Frank Sheeran, a mob hit man and World War II vet who reflects on the events that defined his career as a hit man – in particular his friendship with labor leader Jimmy Hoffa and his involvement with the Bufalino crime family. It is director Martin Scorsese’s return to the mean streets of New York and to the crime-gangster milieu to which he is drawn. On the surface the film is notable for several...

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