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Requiem for a Dream Q&A with Editor Jay Rabinowitz, ACE (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Jay Rabinowitz, ACE, as he discusses his work on 2000 psychological drama Requiem for a Dream. Darren Aronofsky’s second film, Requiem for a Dream, is a hellish work of drama about a group of individuals whose lives are torn apart by their drug addictions. While drug addiction films are a dime a dozen, what distinguishes Requiem from all of the other films of its kind is its complete commitment to assaulting all of the senses in an effort to bring the audience as close as possible to its characters’ broken minds and lives. Grounded by Ellen Burstyn, Jared Leto, and Jennifer Connolly’s heartbreaking performances, Requiem is also one of the best-edited films of all time, providing a showcase for Jay Rabinowitz’s experimental, shocking work that provides the film with much of its haunting power.

This event will be a Live Zoom Webinar on Wednesday, February 26 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Wednesday, February 26 at 11PM ET/8PM PT
Encore 2: Thursday, February 27 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**

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American Cinema Editors Presents Dirty Rotten Scoundrels, Followed by a Q&A with Editor, Stephen Rotter, ACE (NY Event)

Metrograph 7 Ludlow St, New York, NY

Our next American Cinema Editors Presents at Metrograph is Frank Oz's 1988 comedy "Dirty Rotten Scoundrels," starring Steve Martin and Michael Caine.
The film was edited by Stephen Rotter, ACE and William Scharf. ACE. We’ll be joined for a Q&A afterwards with Stephen Rotter, moderated by Jeffrey Wolf, ACE.
Set on the French Riviera the film stars Martin and Caine as two con men competing to swindle a wealthy tourist out of $50,000.
Stephen Rotter received the Academy Award for Best Film Editing for his work on Phillip Kaufman's "The Right Stuff."
He also cut Arthur Penn's "Night Moves”and "The Missouri Breaks", Elaine May's "Ishtar," Penny Marshall's "The Preacher's Wife" and Nancy Meyers' "What Women Want."
As usual, we'll continue the conversation in the lobby bar. We hope to see you!
Tickets will be on sale soon!

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2025 Invisible Art Visible Artist (IAVA) (LA Event)

Regal LA Live 1000 West Olympic Boulevard, Los Angeles, United States

ACE Presents the 2025 Invisible Art/Visible Artists
*Speakers are subject to change based on availability.

This seminar (honoring the Academy Award-nominated editors) is part of an effort by the editing community to educate professionals, students and the public at large about the art of editing.

Please note that tickets now cost $20 per person, with proceeds going to help those impacted by the fires. All donations are Tax Deductible through the ACE Ed Center.

Tickets must be presented at the door for entrance. Seating is first-come first seated.

DOORS OPEN AT 10:00AM
PANEL RUNS FROM 10:30AM-12:30PM
$8.00 parking with validation from the theater.
Parking is in the West Garage (Lot W) Gates E and F only. (Route navigation app to (West Rd., Los Angeles, CA 90015)

THE 2025 NOMINEES FOR BEST ACHIEVEMENT IN EDITING ARE:
Sean Baker- “Anora"

Nick Emerson– “Conclave"

Dávid Jancsó– “The Brutalist"

Myron Kerstein, ACE– “Wicked"

Juliette Welfling– “Emilia Pérez"

Moderated by Sabrina Plisco, ACE

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75th Annual ACE Eddie Awards (LA Event)

Royce Hall 10745 Dickson Ct, Los Angeles, United States

The 75th Annual ACE Eddie Awards, which were postponed from their original date on January 18 due to the recent wildfires in Los Angeles, will now be held on Friday, March 14, 2025, at UCLA's Royce Hall. As previously announced, the 75th Annual ACE Eddie Awards is now a fundraiser with a portion of the proceeds going to wildfire relief. The event has also transitioned from Black Tie to “Come As You Are” allowing guests to focus on solidarity and celebration, rather than attire. ACE will be announcing other wildfire relief efforts before the ceremony.

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American Cinema Editors Presents Amour followed by a Q&A with Editor Monika Willi (NY Event)

Metrograph 7 Ludlow St, New York, NY

Icons of French cinema Jean-Louis Trintignant and Emmanuelle Riva play an elderly couple facing final separation by cruel death in Haneke’s tender-yet-hard study of life at the precipice. Cinematographer Darius Khondji offers a litany of locked-down framings, brittle in their composed beauty, each marked by an elegant exactitude and slowly suffocating airlessness, while editor Monika Willi’s smooth, sure-handed cutting lends what otherwise might be a stultifyingly static work a feeling of grim, merciless momentum, sliding imperceptibly towards the Great Beyond. Perhaps Haneke’s ultimate directorial accomplishment—and, incidentally, a eulogy for the youthful dreams of the 1960s European art cinema.

Q&A with editor Monika Willi on Friday, March 28th

Post-Production World, Las Vegas (LV Event)

Las Vegas Convention Center 3150 Paradise Rd, Los Vegas, NV, United States

Post-Production World (PPW) is the premier training conference for content creators, filmmakers, video editors, and motion designers looking to sharpen their skills and stay ahead of the curve. Held in conjunction with NAB Show Las Vegas, this five-day immersive experience brings together industry-leading experts, certified trainers, and creative professionals to explore the latest in post-production workflows, cutting-edge editing techniques, AI-powered tools, and emerging technologies shaping the future of storytelling. Taking place April 5-9. Use the code ACE15 for 15% off.