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September 5 Q&A with Director Tim Fehlbaum and Editor Hansjörg Weissbrich, BFS (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with director Tim Fehlbaum and editor Hansjörg Weissbrich, BFS, as they discuss their work on the 2024 historical drama September 5. On September 5, 1972, the calm at the Munich Olympics was broken when terrorists murdered Israeli athletes and took more hostage. Tim Fehlbaum’s tense, taut film, September 5, takes a documentary-like approach to exploring the ABC Sports division’s coverage of the unfolding tragedy. Provocatively and intelligently investigating journalistic ethics and the limits of what can - and should - be shown on live television, September 5 is propelled by Hansjörg Weissbrich’s sharp editing and an ensemble of excellent performances. September 5 couldn’t be more timely and wisely stays away from coming to neat conclusions, making for a stimulating and frequently unnerving viewing experience.

This event will be a Live Zoom Webinar on Thursday, January 9 at 4PM ET/1PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Thursday, January 9 at 8PM ET/5PM PT
Encore 2: Thursday, January 9 at 11PM ET/8PM PT
**ACE members, please check your email for free ticket information.**

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American Cinema Editors Presents Memento, followed by a Conversation with Editor Dody Dorn, ACE (LA Event)

Vidiots 4884 Eagle Rock Blvd, Los Angeles, CA, United States

The next West Coast "American Cinema Editors Presents" event will be a screening of the 2000 psychological thriller Memento followed by a conversation with editor Dody Dorn, ACE, at Los Angeles institution Vidiots.

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife’s killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he’s going, or why.

General Admission Tickets are $13
(Vidiots Members Receive Discount)
Proceeds benefit the Vidiots Foundation

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Is a Public Insurance Adjuster Right for You? Zoom Seminar with Q&A

Zoom/Online see event description for link details, CA, United States

To the ACE community and beyond who's been affected by the LA wildfires, we've organized a brief zoom presentation and Q&A session with a public insurance adjuster. ACE is in no way affiliated with them, nor are we recommending that you work with this company in-particular, but they graciously offered to hold this information based free event and Q&A in the hopes to arm everyone with as much information as possible.

The Greenspan Co./Adjusters is an independent entity and does not represent any insurance company or general contractor. The role of a public adjuster is to serve as your private Loss Consultant, working on your behalf to calculate your building loss, personal property loss, and additional living expense claim. Their aim is to maximize your claim within a reasonable timeframe, enabling you to make informed decisions about your rebuilding process.

If you're interested, please sign up for the free zoom seminar on Saturday, January 25 for detailed info on what a public adjuster does.

Nosferatu Q&A with Cinematographer Jarin Blaschke and Editor Louise Ford, ACE (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with cinematographer Jarin Blaschke; editor Louise Ford, ACE; production designer Craig Lathrop, as they discuss their work on the film Nosferatu. A total descent into darkness, Robert Eggers’ reimagining of Nosferatu proves yet again why he is one of the most distinctive and exciting filmmakers working today. For this version, Eggers insists that evil must be looked at straight on, that it’s a part of everyday life, which makes this a provocative, potent, unnerving viewing experience. And, the film is a technical marvel that looks and feels like a demented fairytale, largely thanks to cinematographer Jarin Blashke, production designer Craig Lathrop, and editor Louise Ford, all of whom have worked on every one of Eggers' four features. This Nosferatu is one for the ages: at once reverential to F.W. Murnau’s original and also daring, modern, and a vision all its own.

This event will be a Live Zoom Webinar on Monday, January 27 at 5PM ET/2PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Monday, January 27 at 11PM ET/8PM PT
Encore 2: Tuesday, January 28 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**

The Brutalist Q&A with Cinematographer Lol Crawley, BSC & Production Designer Judy Becker (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with cinematographer Lol Crawley, BSC and production designer Judy Becker as they discuss their work on the film The Brutalist. While epic in running time and scope, The Brutalist is an intimate film about the cost of creating great art. Many films have been made about this topic, but few have had this one’s attention to detail and realism, largely from Judy Becker’s immersive production design, Lol Crawley’s lush, inventive cinematography and Dávid Jancsó's editing. And then there’s Adrien Brody who leads this film with grace and humanity, finding endless complexity in his troubled architect, László Tóth. The Brutalist is a film that will be studied and remembered for years to come.

This event will be a Live Zoom Webinar on Tuesday, January 28 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Tuesday, January 28 at 11PM ET/8PM PT
Encore 2: Thursday, January 30 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**

Memoir of a Snail Q&A with Writer/Producer/Director Adam Elliot (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with writer/producer/director Adam Elliot as he discusses his stop-motion animated tragicomedy Memoir of a Snail. Adam Elliot has not made a feature film since 2009’s beguiling Mary and Max. The 15-year wait turned out to be well-worth it, though, as Memoir of a Snail is as personal and moving as its predecessor. Edited by Bill Murphy and brought to life by an outstanding voice cast led by Sarah Snook, this tale of the odd, dysfunctional, and darkly funny life of a woman named Grace is full of endless surprises and a deep well of emotion. Only the second R-rated film ever nominated for the Best Animated Feature Oscar, Memoir of a Snail is an ultimately hopeful, life-affirming story of a woman coming into her own against all odds from one of the most distinctive voices working in animation today.

This event will be a Live Zoom Webinar on Monday, February 17 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Monday, February 17 at 11PM ET/8PM PT
Encore 2: Tuesday, February 18 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**

Flow Q&A with Writer/Editor/Director Gints Zilbalodis & Co-Writer/Producer Matīss Kaža (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with writer/editor/director Gints Zilbalodis & co-writer/producer Matīss Kaža as they discuss their animated fantasy adventure Flow. An animated film in which animals actually act like animals and flood waters fill a wondrous, almost otherworldly landscape, Flow charts a new course for feature animation with its innovative style and exceptional command of storytelling. Through action, a gorgeous score, and an immersive soundscape, filmmaker Gints Zilbalodis and writer/producer Matīss Kaža create a haunting, gorgeously-realized human-less world where animal friendship and camaraderie are the only way for any creature to see another day. Nominated for both the Best International Feature and Best Animated Feature Oscars and an ACE Eddie Award, Flow announces the arrival of exciting new talents in the world of animation whose emotionally-driven, visually dazzling approach to the art form promises to continue to move it forward.

This event will be a Live Zoom Webinar on Tuesday, February 25 at 4PM ET/1PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Tuesday, February 25 at 8PM ET/5PM PT
Encore 2: Tuesday, February 25 at 11PM ET/8PM PT
**ACE members, please check your email for free ticket information.**

Requiem for a Dream Q&A with Editor Jay Rabinowitz, ACE (Zoom Event)

Zoom/Online see event description for link details, CA, United States

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with editor Jay Rabinowitz, ACE, as he discusses his work on 2000 psychological drama Requiem for a Dream. Darren Aronofsky’s second film, Requiem for a Dream, is a hellish work of drama about a group of individuals whose lives are torn apart by their drug addictions. While drug addiction films are a dime a dozen, what distinguishes Requiem from all of the other films of its kind is its complete commitment to assaulting all of the senses in an effort to bring the audience as close as possible to its characters’ broken minds and lives. Grounded by Ellen Burstyn, Jared Leto, and Jennifer Connolly’s heartbreaking performances, Requiem is also one of the best-edited films of all time, providing a showcase for Jay Rabinowitz’s experimental, shocking work that provides the film with much of its haunting power.

This event will be a Live Zoom Webinar on Wednesday, February 26 at 8PM ET/5PM PT with two encore livestreams to follow on Vimeo.

Encore 1: Wednesday, February 26 at 11PM ET/8PM PT
Encore 2: Thursday, February 27 at 3PM ET/12PM PT
**ACE members, please check your email for free ticket information.**

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American Cinema Editors Presents Dirty Rotten Scoundrels, Followed by a Q&A with Editor, Stephen Rotter, ACE (NY Event)

Metrograph 7 Ludlow St, New York, NY

Our next American Cinema Editors Presents at Metrograph is Frank Oz's 1988 comedy "Dirty Rotten Scoundrels," starring Steve Martin and Michael Caine.
The film was edited by Stephen Rotter, ACE and William Scharf. ACE. We’ll be joined for a Q&A afterwards with Stephen Rotter, moderated by Jeffrey Wolf, ACE.
Set on the French Riviera the film stars Martin and Caine as two con men competing to swindle a wealthy tourist out of $50,000.
Stephen Rotter received the Academy Award for Best Film Editing for his work on Phillip Kaufman's "The Right Stuff."
He also cut Arthur Penn's "Night Moves”and "The Missouri Breaks", Elaine May's "Ishtar," Penny Marshall's "The Preacher's Wife" and Nancy Meyers' "What Women Want."
As usual, we'll continue the conversation in the lobby bar. We hope to see you!
Tickets will be on sale soon!

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2025 Invisible Art Visible Artist (IAVA) (LA Event)

Regal LA Live 1000 West Olympic Boulevard, Los Angeles, United States

ACE Presents the 2025 Invisible Art/Visible Artists
*Speakers are subject to change based on availability.

This seminar (honoring the Academy Award-nominated editors) is part of an effort by the editing community to educate professionals, students and the public at large about the art of editing.

Please note that tickets now cost $20 per person, with proceeds going to help those impacted by the fires. All donations are Tax Deductible through the ACE Ed Center.

Tickets must be presented at the door for entrance. Seating is first-come first seated.

DOORS OPEN AT 10:00AM
PANEL RUNS FROM 10:30AM-12:30PM
$8.00 parking with validation from the theater.
Parking is in the West Garage (Lot W) Gates E and F only. (Route navigation app to (West Rd., Los Angeles, CA 90015)

THE 2025 NOMINEES FOR BEST ACHIEVEMENT IN EDITING ARE:
Sean Baker- “Anora"

Nick Emerson– “Conclave"

Dávid Jancsó– “The Brutalist"

Myron Kerstein, ACE– “Wicked"

Juliette Welfling– “Emilia Pérez"

Moderated by Sabrina Plisco, ACE