The perfect way to end your day on the NAB NY show floor: Join Avid and Nutanixfor some happy hour fun, spotlighting the latest in Avid Media Composer to help you work smarter and faster! See how the award-winning Media Composer reimagines the way editors and content creators bring stories to life through.
The next "American Cinema Editors Presents" is a special one ... When Pigs Fly, the 1993 German-American-Dutch comedy directed by Sara Driver and starring Alfred Molina, Marianne Faithfull and Seymour Cassel with a score by Joe Strummer of The Clash. This screening intersects with another Metrograph series, "Remain in Light," that highlights films shot by late cinematographer Robby Müller. ACE is happy to welcome for the post screening Q&A editor Jay Rabinowitz, ACE, director Sara Driver and Andrea Müller-Schirmer (widow of Robby Müller). The discussion will be moderated by film writer Hillary Weston.
Calling all UK ACE members! ACE President, Kevin Tent, will be in London at Adam and Eve on Monday, October 9 at 6:00pm. Drinks on ACE! Please RSVP by Sunday, October 8.
Join us for a Q&A with screenwriter Liz Hannah as she discusses her work on the political thriller The Post. Shot, cut, and released in a matter of months, The Post crackles with an intense urgency that propels the film forward at a breakneck pace. With a whip-smart screenplay by Liz Hannah and Josh Singer, this riveting film about Katherine Graham and Ben Bradlee's decision about whether or not to publish The Pentagon Papers is one of the great films about journalism, particularly calling to mind All the President's Men. Driven by an immensely satisfying, complex performance from Meryl Streep who is perfectly complemented by Tom Hanks, The Post is a suspenseful true-life drama that creates a disturbing but necessary dialogue between past and present. The event will be a Zoom Webinar on Tuesday, October 10 at 8PM ET/5PM PT.
Join ACE for a "smashing" screening of Ang Lee's 2003 Hulk. Hulk i is a Marvel movie directed by Ang Lee, screenplay by James Schamus, Michael France and John Turman, based on characters created by Stan Lee and Jack Kirby. Before the formula for “superhero movie” was codified to produce a never-ending stream of lookalike, soundalike films there was Lee’s Hulk, an experiment in style employing eye-popping color, frag grenade split-screen effects, and dynamic framings — the work of legendary DP Frederick Elmes — in order to create a cinematic approximation of Jack Kirby’s original comic art. The spectacle here is built on a solid foundation of character-based oedipal struggle that recalls Nick Nolte’s earlier work in Addiction, with Eric Bana as Bruce Banner/Hulk and Nolte in fine fettle as his abusive and ultimately megalomaniacal mad scientist father. Note: this film is part of a series starring Nick Nolte. The screening will be followed by a discussion between editor Tim Squyres, ACE and VFX editor (and now editor) Gary Levy, ACE.
Join us for a Q&A with screenwriter Lawrence D. Cohen, as he discusses his work on the 1976 film Carrie. This Q&A was originally planned for August but has now been scheduled for October 16. Few Stephen King adaptations have had the heart and soul of Lawrence D. Cohen's humane, intelligent adaptation of Carrie, which is, at its core, the story of a teenage girl coming into her own body and struggling with the pressures of high school. Director Brian De Palma brings his signature style to the film making it a visually dazzling spectacle, but the great filmmaker never lets these visual flourishes drown out the human story. Grounded by Sissy Spacek's subtle, wrenching performance as the eponymous character and further buoyed by Piper Laurie's indelible comeback performance as Carrie's religious zealot of a mother, Carrie smartly realizes that a horror film is only as strong as the dramatic story it's built upon. The event will be a Zoom Webinar on Monday, October 16 at 8PM ET/5PM PT.
For over a decade ACE has been a part of the NAB Show in Las Vegas year after year presenting panels with the hottest editors discussing their work and shining a spotlight on the and craft of editing. This October, ACE will be adding to this legacy by presenting a panel for the first time at NAB Show in New York.
Join editor/co-producer Shelly Westerman, ACE, in conversation with author, historian and "editing's greatest champion" Bobbie O'Steen for a behind-the-scenes look at the award-winning hit show Only Murders in the Building.
Join LACPUG (Los Angeles Creative Pro User Group)on Oct 25 for Assistant Editors and AI night. It will be a night of "AE's" in the age of AI and what the future might hold. We will welcome Zack Arnold (ACE) - founder of Optimize Yourself as well as a 20-year veteran editing film & television. Also television assistant editor (and MPEG board member) Ashley McKinney, feature & tv assistant editor (and MPEG board member) Scott Jacobs, as well as VFX editor, assistant editor, and co-founder of Master the Workflow Richard Sanchez.
Join us for a Q&A with director Jan de Bont, as he discusses his work on the 1994 film Speed. Reductively called "Die Hard on wheels", Speed, directed by Die Hard's cinematographer Jan de Bont, busts out from that film's shadow to become one of cinema's most acclaimed and successful action films. With star-making performances from Keanu Reeves and Sandra Bullock in the lead, Speed is a literal thrill-ride on wheels in which a madman plants a bomb on a bus that detonates if it goes under 50 mph. Crafted with supreme confidence by de Bont, Speed is the gold standard for blockbuster entertainment: bold, over-the-top, and a genuinely great piece of filmmaking.
Calling all ACE Members ...
If you're in the New York area, come out and join us for drinks, bites and revelry!
The Hollywood IA Young Workers Coordinating Committee is excited to welcome one and all to the IATSE Yard Sale! The yard sale is free and open to the public – October 28 from 11a - 5p at Local 80 in Burbank. Helper volunteers and IATSE Members interested in selling should RSVP via this link: tinyurl.com/IATSEYS2023
join us for a Q&A with producer Robert Shaye as he discusses 1984 supernatural slasher film A Nightmare on Elm Street. Few films have had as much of an effect on horror cinema as Wes Craven's A Nightmare on Elm Street. Telling the story of a group of small-town teenagers terrorized in their dreams by knife-gloved murderer Freddy Krueger (Robert Englund, iconic), this classic combines clever visual effects and a memorably menacing villain to generate thrills. What makes A Nightmare on Elm Street stand far above almost all other horror films, though, is both its sheer inventiveness and genuine entertainment value. While Craven knew the importance of a real scare, he also knew that watching the film had to be a hell of a good time. Produced on a small budget by fledgling studio New Line Cinema and released to major critical acclaim and commercial success, Nightmare proved to be anything but for everyone involved. A Nightmare on Elm Street was edited by Patrick McMahon, ACE, and Rick Shaine, ACE.
