Join Red Pill Blue Pill Studios and Zack Arnold, ACE, Film and TV Editor (Cobra Kai, Burn Notice, Empire, Glee) and founder of Optimize Yourself, as we chat all about how to navigate the film industry, especially if you are just entering it as a new filmmaker, or coming into it from another industry (just like me!)

We are going to touch upon a lot of topics including making it just on merit vs. who you know, how the strikes affect your employment outlook, “old school mentality” of the filmmaking industry, plus much more.

If you are looking into getting into filmmaking, Zack is THE guy to tell you how to do it, so don’t miss this awesome opportunity to hear some amazing advice from a really successful filmmaker.

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.

Join us for a Q&A with editor Billy Weber, as he discusses his work on 1978 romantic period drama Days of Heaven. Terrence Malick's follow-up to Badlands, is one of the most visually-stunning films ever produced and widely touted as one of the greatest films ever made. Working with master cinematographer Néstor Almendros, Malick conjures painterly images so rich and fully-realized that they boggle the mind. Intensely moving and emotionally rich with a score by the great Ennio Morricone, this Texas-set mini epic demands to be seen on the biggest screen possible. Of particular note is the work of editor Billy Weber who works perfectly in sync with the poetic filmmaker’s rhythms, so much so that the film is considered one of the best-edited by the Motion Picture Editors Guild.

The event will be a Zoom Webinar on Monday, February 26 at 8PM ET/5PM PT.

Started during the pandemic by Roberta Bononi BFE - Governor (Social & Events), A Virtual Glass of Wine is our periodic set of talks
with the crème de la crème of the world's editors.

Picturehouse 441 and ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with director Martin Campbell and editor Stuart Baird, ACE, as they discuss the 2006 spy film Casino Royale. After decades of declining quality, the Bond franchise was rebooted by director Martin Campbell with Casino Royale, a gritty, brutal spy thriller that deservingly made Daniel Craig a world-famous star. Known for his successful and acclaimed action films, including the 1995 007 entry, GoldenEye, Campbell gave the franchise a much-needed grounding in realism, making Casino Royale hit hard both in its violence and emotionality. Filled with muscular set pieces and stellar supporting performances from Mads Mikkelsen and Eva Green and edited by Stuart Baird, ACE, this film completely reshaped the beloved franchise and influenced countless subsequent films, including its direct sequels. This event will be a Zoom Webinar on Wednesday, March 6 at 4PM ET/1PM PT.

On Monday, March 11, join us for a Q&A with actor Elliott Gould, as he discusses his work on the 1973 satirical neo-noir film The Long Goodbye. After flipping the Western on its head with his 1971 masterwork, McCabe & Mrs. Miller, maverick director Robert Altman turned his lens towards Film Noir with 1973’s The Long Goodbye. Updating the classic Philip Marlowe novel to 1970s Los Angeles, Altman re-teamed with inimitable Elliott Gould as a pot-smoking version of the detective for this film. Gould’s take on Marlowe is as original as it is strikingly human, and his and Altman’s influence can be felt in such films as The Big Lebowski and Inherent Vice. Despite being met with a mixed critical and commercial reception upon release, this cynical classic has deservedly undergone a major re-evaluation and is now considered one of the defining works of 1970s Cinema. Editing by Lou Lombardo, editor of classic films such as The Wild Bunch and McCabe & Mrs. Miller. This event will be a Zoom Webinar on Monday, March 11 at 8PM ET/5PM PT.

Tune in on Wednesday, March 13, to watch a Q&A with cinematographer Guillermo Navarro, AMC, ASC, as he discusses his work on the 2006 film Pan's Labyrinth. Guillermo Del Toro’s dark fantasy, Pan's Labyrinth, is Alice in Wonderland by way of the Spanish Civil War, and even that is a reductive way of describing this simultaneously wondrous and brutal film. Following a young girl sent to the Spanish countryside to escape the horrors of war who encounters a mysterious fantasy world by night, this film wrenchingly explores the loss of innocence during wartime and the need for escape. Featuring jaw-droppingly rich work from cinematographer Guillermo Navarro who won one of the film’s three Oscars, Pan's Labyrinth is one of the essentials of modern-day cinema that finds its beloved filmmaker letting his imagination run gloriously wild. Pan's Labyrinth was edited by Bernat Vilaplana. This event will be a Zoom Webinar on Wednesday, March 13 at 8PM ET/5PM PT.