Chat with Frank J. Urioste, ACE, Over Lunch!
Marino Ristorante 6001 Melrose Ave, Los Angeles**Members-please see email for details**
**Members-please see email for details**
Picturehouse 441 & ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Join us for a Q&A with screenwriter William Wisher, as he discusses the 1991 film Terminator 2: Judgment Day. Terminator 2 is considered one of the best science fiction, action, and sequel films ever made. Wisher co-wrote the script with director James Cameron in seven weeks. The event will be a Zoom Webinar on Wednesday, September 13 at 8PM ET/5PM PT.
Please join ACE for a special DOUBLE FEATURE screening of Blue Ruin and Green Room plus a Q&A with editor Julia Bloch.
The evening begins with a screening of the the 2013 Jeremy Saulnier thriller Blue Ruin about a mysterious outsider whose quiet life is turned upside down when he returns to his childhood home. The film premiered at the 2013 Cannes Film Festival and was the winner of the FIPRESCI Prize. The screening will feature a Q&A with editor Julia Bloch, moderated by Caryn Coleman, the founder of The Future of Film Is Female.
After the Q&A stay for a second screening featuring the 2015 Saulnier horror-thriller film Green Room. The film focuses on a punk band who find themselves attacked by neo-Nazi skinheads after witnessing a murder at a remote club in the Pacific Northwest.
Editors, Jim May, Dave Conte and Stephen Mulholland BFE, ISE of Love, Death + Robots discuss their episode edits.
Picturehouse 441 & ACE are proud to be partnering on a series of live virtual Q&As as part of our mutual efforts to promote film literacy.
Simple Cloud is a fully personalized Studio for talent. All tools in 1 place and easily accessible. The platform provides full support unlike most Cloud services, so our editors focus on the work and the craft....it's extremely affordable, no issues on egress and bills. With talk of Remote this winter, good time to see it.
IBM will be sharing updates on their solutions, good time to hear and exchange what they are focused on going forward including transport and AI.
Dixon Computing will feature the metadata enrichment. An essential for anyone in television, feature films, documentaries and non-scripted as it is a great solution for logging for editorial. The dashboard is fully customizable to the show and talent....off the shelf SaaS pricing, pay as you go model. EG. Illustratively, It handles NFL games on Fox which are between 9-12 cameras and there is only a maximum of 30 sec0nds between plays. Assistants and logging can also be handled from the hard drives or live or both....great to see it up close.
**Space is Limited. Please RSVP to Bnulman@320partners.com**
**Members, please see email for details.**
The NCE is proud to announce that on Sunday, September 24, film editor Eddie Hamilton, ACE will be the guest of honor at the 12th edition of the NCE Annual International Masterclass that takes place during the Netherlands Film Festival in Utrecht. The entire masterclass will be in the English language.
NewFest is proud to announce the launch of their first-ever Industry & Filmmaker Day, a new program that aims to deepen connections within the queer film industry; provide space for provocative and inspiring thinking about what it means to be queer and working in film; and stir important conversations through a series of interactive roundtable discussions that connect and spark conversation between their guests, led by a handful of industry facilitators. One of these discussions, entitled Making Queer Cinema: Through Craft and Aesthetic may be of particular interest to the membership.
NewFest would love to have a New York-based member of ACE participate in this conversation as a facilitator. If you are interested and feel you’d be a particularly good fit, please contact Derek McCants, ACE, at derekmccants@gmail.com or Oliver Lief, ACE, at oliver@bluetablepost.com
On Tuesday, September 26 join us for a Q&A with director Rob Marshall as he discusses his 2002 musical black comedy crime film Chicago. Based on the 1975 stage musical of the same name which in turn originated from the 1926 play of the same name, Chicago was critically acclaimed and went on to win six Academy Awards including an Oscar for Martin Walsh, ACE, for Best Editing. That year Walsh also won the ACE Eddie Award for the same film. This event will be a Zoom webinar on Tuesday, September 26 at 8PM ET/5PM PT.
Join us for a Q&A with cinematographer Janusz Kaminski and the 1993 epic historical drama Schindler's List. Ideas for a film about the Schindlerjuden (Schindler Jews) were proposed as early as 1963. Unsure if he was ready to make a film about the Holocaust, Spielberg tried to pass the project to several directors before deciding to direct it. Often listed among the greatest films ever made, the film received universal acclaim and was also a box office success. It was nominated for 12 Academy Awards and won seven including Best Cinematography for Kaminski and Best Editing for Michael Kahn, ACE. Kahn also won the ACE Eddie Award that year for his work on the film. This event will be a Zoom Webinar on Friday, September 29 at 8PM ET/5PM PT.
Join Sandra Adair (Hit Man) and Jonathan Alberts (All of Us Strangers) – both members of American Cinema Editors – for an in-depth conversation about the craft and profession of film editing, their collaborations with directors Richard Linklater and Andrew Haigh, and the complex ways in which the editor’s creative labor comes into contact with the work of cinematographers, actors, and others. Moderated by Jeffrey Wolf, ACE. Organized in collaboration with American Cinema Editors.